Composers on Mathematical Music
Subtext 9550123


The title of these etudes . . . comes from Atlas Australis, a book of star maps printed in six colors . . . In order to write one of the 32 two-page pieces, I begin by placing a transparent grid over a particular one of the 24 maps. . . . I decided to distinguish between the six colors, so that at times all stars might be traced, at other times only certain of them would be.

I also made use of the I Ching, not as the book of wisdom it is, but as a means of answering questions through chance operations in relation to the number 64. Thus, having placed the transparent grid over the star map . . . I ask which stars I am to trace and how many. Numbers 1-9 give blue and green; 10-18 orange and red; 19-27 yellow and violet; 28-37 blue, green, orange and red; 38-46 blue, green, yellow and violet; 47-55 orange, red, yellow and violet; 56-64 all stars. Formerly I tossed three coins six times to get a number or numbers. In 1969 Ed Kobrin at the University of Illinois programmed the I Ching for me, so that now I refer to a printout. I have made tables relating all the numbers less than 64 to 64. When this tracing is finished . . . I translate the points in space into musical notation (the 12 tones), and then distribute these tones into the available octaves by means of chance operations.

John Cage



Composers on Mathematical Music: A Subtext Poem

Other Work by John Greschak

Public Domain