Composers on Mathematical Music
Subtext 6346649


. . . I don’t make use of the wisdom aspects [of the I Ching] in the writing of music or in the writing of texts. I use it simply as a kind of computer, as a facility. If I have some question that requires a wise answer, then of course I use it that way. On occasion I do. But if I want to know which sound of one hundred sounds I’m to use, then I use it just as a computer.

. . . The mechanism by means of which the I Ching works is, I think, the same as that by means of which the DNA—or one of those things in the chemistry of our body—works. It’s a dealing with the number sixty-four, with a binary situation with all of its variations in six lines. I think it’s a rather basic life mechanism. I prefer it to other chance operations. I began using it nearly thirty years ago, and I haven’t stopped. Some people think that I’m enslaved by it, but I feel that I am liberated by it.

John Cage



Composers on Mathematical Music: A Subtext Poem

Other Work by John Greschak

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