| the divi | Sion of a whole |
| in | To |
| pa | Rts |
| d | Uration |
| not frequen | Cy |
| Taken | |
| as the aspect of so | Und |
| b | Ringing about |
| a distinction b | Etween |
| both phra | Ses |
| and large sec | Tions |
| many diffe | Rent distinctions |
| co | Uld be thought of |
| some for instan | Ce |
| concerning symme | Try horizontal or vertical |
| b | Ut what i thought of |
| was a | Rhythmic |
| structur | E |
| in which the | Small |
| par | Ts |
| had the same p | Roportion to each other |
| that the gro | Ups of units the large parts had to the whole |
| for instan | Ce |
| 64 since i | T |
| eq | Uals eight eights |
| pe | Rmits |
| division of both sixty-four and | Each eight into three two and three |
| in | Songe d’une |
| nui | T d’été |
| satie divided fou | R |
| fo | Urs into one two and one (four eight and four) |
| and in other pie | Ces |
| he worked symme | Trically |
| co | Unting |
| the numbe | R |
| b | Etween |
| Succeeding numbers | |
| following addi | Tion six plus two |
| with subt | Raction |
| six min | Us two |
| and/or rea | Ching |
| a cen | Ter of a series of phrases |
| contin | Uing |
| by going backwa | Rds |
| six | Eight |
| four | Seven five |
| seven four eigh | T six six being |
| the cente | R horizontally five vertically |
| th | Us |
| a | Canvas |
| of | Time is provided hospitable to both noise |
| and m | Usical tones upon which |
| music may be d | Rawn |
| spac | E |
| in which the | Small |
| in | To |
| the cente | R horizontally five vertically |
| fo | Urs into one two and one (four eight and four) |
| and/or rea | Ching |
| of | Time is provided hospitable to both noise |
| as the aspect of so | Und |
| pe | Rmits |
| a distinction b | Etween |
John Cage