Composers on Mathematical Music
Subtext 2134873


. . . I think there are scientists here, scientists at the University of Illinois, for instance, inviting teachers from other departments to teach subjects that they don’t know. The plan is to bring about a fructifying in a situation that has been stultified. And it can break across boundaries—but we’ve said this already. Every boundary you see, I think, you should try to see if it can be removed. Is it something that is really necessary in the sense that the telephone is or that the water faucet is, or is it something that simply satisfies a bureaucracy? I mean, was it a necessary boundary or wasn’t it? And if it wasn’t necessary, then I think you can expect that the good it did in the past when it was separating things can be kept when it isn’t separating things. I had a curious experience yesterday. I had an appointment and I wasn’t clear as to where the Coordinated Science building was, so I dropped first into the one that has that name on it, which is an old building. And looking for the room number I practically went through the whole building—because no one in the building knew where the room numbers were, and they were poorly organized. But in the course of that I saw all kinds of things that I wouldn’t see in a music school, or at home, or in a supermarket—all kinds of machinery, and things that were strange—almost like going to a foreign country; and then I finally got into the new building that the room is actually in, and it, too, has many different kinds of things in it that aren’t ever connected with music—or painting or sculpture—which could be refreshing.

John Cage



Composers on Mathematical Music: A Subtext Poem

Other Work by John Greschak

Public Domain