Composers on Mathematical Music
Subtext 2119487


. . . i called [morton feldman] up and with excitement went to him and explained how i was going to write the music of changes which takes its name from the i ching the book of changes in which the making of choices is not principal to the work but rather the asking of questions and the questions are arranged in such a way that numbers from one to sixty-four answer those questions originally i used the coin oracle i never used the yarrow stick oracle which takes about half-an-hour to get one or two numbers between one and sixty-four by tossing three coins six times you can more quickly have such numbers i used to make tables relating sixty-four to numbers other than sixty-four so that if there were eleven answers to a question that i might ask i needed a table relating eleven to sixty-four a principle i used to use and it’s a long time since i’ve done it and i may tell you incorrectly is dividing eleven into sixty-four there would be a remainder and that number would be groups of twelve and then i would arrange those groups of eleven and twelve in some symmetrical way to show that i was not biased one way or the other . . .

John Cage



Composers on Mathematical Music: A Subtext Poem

Other Work by John Greschak

Public Domain