For the poem
Composers on Mathematical Music,
excerpts were taken from the following works:
Babbitt, Milton. Milton Babbitt: Words About Music. Edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press, 1987. Bernstein, Leonard. The Joy of Music. New York: Simon and Schuster, 1959. ———. The Infinite Variety of Music. New York: Simon and Schuster, 1966. Biggs, Hayes and Susan Orzel (Eds.). Musically Incorrect: Conversations about Music at the End of the 20th Century. New York: C.F. Peters, 1998. Blom, Eric (Ed.). Mozart’s Letters. Selected from The Letters of Mozart and His Family, translated and annotated by Emily Anderson. Baltimore: Penguin Books, 1956. Boretz, Benjamin and Edward T. Cone (Eds.). Perspectives on American Composers. New York: Norton, 1971. ———. Perspectives on Contemporary Music Theory. New York: Norton, 1972. Boulez, Pierre. Boulez on Music Today. Translated by Susan Bradshaw and Richard Rodney Bennett. Cambridge: Harvard University Press, 1971. (Translation of Penser la Musique Aujourd’hui. Paris: Éditions Gonthier, 1964.) ———. Orientations: Collected Writings; Pierre Boulez. Edited by Jean-Jacques Nattiez. Translated by Martin Cooper. Cambridge: Harvard University Press, 1986. (Translation of Points de repère, Revised Edition. Edited by Jean-Jacques Nattiez. Paris: Éditions du Seuil, 1985.) Busoni, Ferruccio. The Essence of Music: And Other Papers. Translated by Rosamond Ley. New York: Dover, 1965. Cage, John. A Year from Monday. Middletown, CT: Wesleyan University Press, 1969. ———. Silence. Middletown, CT: Wesleyan University Press, 1973. ———. Composition in Retrospect. Cambridge, MA: Exact Change, 1993. ———. I-VI. Hanover, NH: Wesleyan University Press, 1997. ———. John Cage: Writer: Selected Texts. Edited by Richard Kostelanetz. New York: Cooper Square Press, 2000. Carter, Elliott. Elliott Carter: Collected Essays and Lectures, 1937-1995. Edited by Jonathan W. Bernard. Rochester: University of Rochester Press, 1997. Chávez, Carlos. Musical Thought. Cambridge: Harvard University Press, 1961. Cone, Edward T. Musical Form and Musical Performance. New York: Norton, 1968. Copland, Aaron. Music and Imagination. Cambridge: Harvard University Press, 1952. ———. What to Listen for in Music, Revised Edition. New York: McGraw-Hill, 1957. ———. Copland on Music. New York: Norton, 1963. ———. The New Music: 1900-1960, Revised and Enlarged Edition. New York: Norton, 1968. Cowell, Henry. New Musical Resources. New York: Alfred A. Knopf, 1930. Debussy, Claude. Monsieur Croche: The Dilettante Hater. Translated by B. N. Langdon Davies. New York: Lear, 1928. ———. Debussy on Music. Edited and translated by Richard Langham Smith. New York: Alfred A. Knopf, 1977. (Translation of Monsieur Croche et autres écrits. Edited by François Lesure. Paris: Éditions Gallimard, 1971.) Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter. New York: Norton, 1971. Ford, Andrew. Composer to Composer: Conversations about Contemporary Music. St Leonards, NSW, Australia: Allen and Unwin, 1993. Hindemith, Paul. A Composer’s World: Horizons and Limitations. Cambridge: Harvard University Press, 1952. Hines, Robert Stephan (Ed.). The Composer’s Point of View: Essays on Twentieth-Century Choral Music by Those Who Wrote It. Norman: University of Oklahoma Press, 1963. Honegger, Arthur. I am a Composer. Translated by Wilson O. Clough and Allan Arthur Willman. London: Faber and Faber, 1966. (Translation of Je suis Compositeur. Paris: Éditions du Conquistador, 1951.) Ives, Charles. Essays Before a Sonata, The Majority, and Other Writings. Edited by Howard Boatwright. New York: Norton, 1970. Kostelanetz, Richard. Conversing with Cage, Second Edition. New York: Routledge, 2003. Krenek, Ernst. Music: Here and Now. Translated by Barthold Fles. New York: Norton, 1939. ———. Exploring Music. Translated by Margaret Shenfield and Geoffrey Skelton. New York: October House, 1966. (Translation of Zur Sprache Gebracht. Munich: Langen-Müller, 1958.) Lang, Paul Henry (Ed.). Problems of Modern Music. New York: Norton, 1962. Leibowitz, René. Schoenberg and His School: The Contemporary Stage of the Language of Music. Translated by Dika Newlin. New York: Philosophical Library, 1949. (Translation of Schoenberg et son école: l’étape contemporaine du langage musical. Paris: J.B. Janin, 1947.) Lincoln, Harry B. (Ed.). The Computer and Music. Ithaca: Cornell University Press, 1970. Luening, Otto. The Odyssey of an American Composer. New York: Charles Scribner’s Sons, 1980. Morgenstern, Sam (Ed.). Composers on Music: An Anthology of Composers’ Writings from Palestrina to Copland. New York: Pantheon, 1956. Perle, George. The Listening Composer. Berkeley: University of California Press, 1990. Peyser, Joan. The Music of My Time. White Plains, NY: Pro/Am Music Resources, 1995. Roads, Curtis (Ed.). Composers and the Computer. Los Altos, CA: W. Kaufmann, 1985. Schillinger, Frances. Joseph Schillinger: A Memoir. New York: Greenberg, 1949. Schillinger, Joseph. Kaleidophone: New Resources of Melody and Harmony. New York: Charles Colin, 1940. ———. The Schillinger System of Musical Composition. New York: Carl Fischer, 1941. Schoenberg, Arnold. Fundamentals of Musical Composition. Edited by Gerald Strang with Leonard Stein. New York: St. Martin’s Press, 1967. ———. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard Stein with translations by Leo Black. Berkeley: University of California Press, 1984. Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller. New York: Oxford University Press, 1986. Schwartz, Elliott and Barney Childs (Eds.). Contemporary Composers on Contemporary Music. New York: Holt, Rinehart and Winston, 1967. Schwartz, Elliott and Barney Childs with Jim Fox (Eds.). Contemporary Composers on Contemporary Music, Expanded Edition. Da Capo Press, 1998. Sessions, Roger. Questions about Music. Cambridge: Harvard University Press, 1970. Stravinsky, Igor. Poetics of Music: In the Form of Six Lessons. Translated by Arthur Knodel and Ingolf Dahl. Cambridge: Harvard University Press, 1942. Stravinsky, Igor and Robert Craft. Memories and Commentaries. Berkeley: University of California Press, 1960. Thomson, Virgil. Music: Right and Left. New York: Holt, 1951. ———. Virgil Thomson. New York: Dutton, 1985. ———. American Music Since 1910. New York: Holt, Rinehart and Winston, 1971. ———. A Virgil Thomson Reader. Boston: Houghton Mifflin, 1981. Toch, Ernst. The Shaping Forces in Music: An Inquiry into the Nature of Harmony, Melody, Counterpoint and Form. New York: Dover, 1977. Vaughan Williams, Ralph. The Making of Music. Ithaca: Cornell University Press, 1955. Weiss, Piero (Ed.). Letters of Composers Through Six Centuries. Philadelphia: Chilton, 1967. Xenakis, Iannis. Formalized Music: Thought and Mathematics in Composition, Revised Edition. Stuyvesant, NY: Pendragon Press, 1992. |