Composers on Mathematical Music
Bibliography


For the poem Composers on Mathematical Music, excerpts were taken from the following works:
 

Babbitt, Milton. Milton Babbitt: Words About Music. Edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press, 1987.

Bernstein, Leonard. The Joy of Music. New York: Simon and Schuster, 1959.

———. The Infinite Variety of Music. New York: Simon and Schuster, 1966.

Biggs, Hayes and Susan Orzel (Eds.). Musically Incorrect: Conversations about Music at the End of the 20th Century. New York: C.F. Peters, 1998.

Blom, Eric (Ed.). Mozart’s Letters. Selected from The Letters of Mozart and His Family, translated and annotated by Emily Anderson. Baltimore: Penguin Books, 1956.

Boretz, Benjamin and Edward T. Cone (Eds.). Perspectives on American Composers. New York: Norton, 1971.

———. Perspectives on Contemporary Music Theory. New York: Norton, 1972.

Boulez, Pierre. Boulez on Music Today. Translated by Susan Bradshaw and Richard Rodney Bennett. Cambridge: Harvard University Press, 1971. (Translation of Penser la Musique Aujourd’hui. Paris: Éditions Gonthier, 1964.)

———. Orientations: Collected Writings; Pierre Boulez. Edited by Jean-Jacques Nattiez. Translated by Martin Cooper. Cambridge: Harvard University Press, 1986. (Translation of Points de repère, Revised Edition. Edited by Jean-Jacques Nattiez. Paris: Éditions du Seuil, 1985.)

Busoni, Ferruccio. The Essence of Music: And Other Papers. Translated by Rosamond Ley. New York: Dover, 1965.

Cage, John. A Year from Monday. Middletown, CT: Wesleyan University Press, 1969.

———. Silence. Middletown, CT: Wesleyan University Press, 1973.

———. Composition in Retrospect. Cambridge, MA: Exact Change, 1993.

———. I-VI. Hanover, NH: Wesleyan University Press, 1997.

———. John Cage: Writer: Selected Texts. Edited by Richard Kostelanetz. New York: Cooper Square Press, 2000.

Carter, Elliott. Elliott Carter: Collected Essays and Lectures, 1937-1995. Edited by Jonathan W. Bernard. Rochester: University of Rochester Press, 1997.

Chávez, Carlos. Musical Thought. Cambridge: Harvard University Press, 1961.

Cone, Edward T. Musical Form and Musical Performance. New York: Norton, 1968.

Copland, Aaron. Music and Imagination. Cambridge: Harvard University Press, 1952.

———. What to Listen for in Music, Revised Edition. New York: McGraw-Hill, 1957.

———. Copland on Music. New York: Norton, 1963.

———. The New Music: 1900-1960, Revised and Enlarged Edition. New York: Norton, 1968.

Cowell, Henry. New Musical Resources. New York: Alfred A. Knopf, 1930.

Debussy, Claude. Monsieur Croche: The Dilettante Hater. Translated by B. N. Langdon Davies. New York: Lear, 1928.

———. Debussy on Music. Edited and translated by Richard Langham Smith. New York: Alfred A. Knopf, 1977. (Translation of Monsieur Croche et autres écrits. Edited by François Lesure. Paris: Éditions Gallimard, 1971.)

Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter. New York: Norton, 1971.

Ford, Andrew. Composer to Composer: Conversations about Contemporary Music. St Leonards, NSW, Australia: Allen and Unwin, 1993.

Hindemith, Paul. A Composer’s World: Horizons and Limitations. Cambridge: Harvard University Press, 1952.

Hines, Robert Stephan (Ed.). The Composer’s Point of View: Essays on Twentieth-Century Choral Music by Those Who Wrote It. Norman: University of Oklahoma Press, 1963.

Honegger, Arthur. I am a Composer. Translated by Wilson O. Clough and Allan Arthur Willman. London: Faber and Faber, 1966. (Translation of Je suis Compositeur. Paris: Éditions du Conquistador, 1951.)

Ives, Charles. Essays Before a Sonata, The Majority, and Other Writings. Edited by Howard Boatwright. New York: Norton, 1970.

Kostelanetz, Richard. Conversing with Cage, Second Edition. New York: Routledge, 2003.

Krenek, Ernst. Music: Here and Now. Translated by Barthold Fles. New York: Norton, 1939.

———. Exploring Music. Translated by Margaret Shenfield and Geoffrey Skelton. New York: October House, 1966. (Translation of Zur Sprache Gebracht. Munich: Langen-Müller, 1958.)

Lang, Paul Henry (Ed.). Problems of Modern Music. New York: Norton, 1962.

Leibowitz, René. Schoenberg and His School: The Contemporary Stage of the Language of Music. Translated by Dika Newlin. New York: Philosophical Library, 1949. (Translation of Schoenberg et son école: l’étape contemporaine du langage musical. Paris: J.B. Janin, 1947.)

Lincoln, Harry B. (Ed.). The Computer and Music. Ithaca: Cornell University Press, 1970.

Luening, Otto. The Odyssey of an American Composer. New York: Charles Scribner’s Sons, 1980.

Morgenstern, Sam (Ed.). Composers on Music: An Anthology of Composers’ Writings from Palestrina to Copland. New York: Pantheon, 1956.

Perle, George. The Listening Composer. Berkeley: University of California Press, 1990.

Peyser, Joan. The Music of My Time. White Plains, NY: Pro/Am Music Resources, 1995.

Roads, Curtis (Ed.). Composers and the Computer. Los Altos, CA: W. Kaufmann, 1985.

Schillinger, Frances. Joseph Schillinger: A Memoir. New York: Greenberg, 1949.

Schillinger, Joseph. Kaleidophone: New Resources of Melody and Harmony. New York: Charles Colin, 1940.

———. The Schillinger System of Musical Composition. New York: Carl Fischer, 1941.

Schoenberg, Arnold. Fundamentals of Musical Composition. Edited by Gerald Strang with Leonard Stein. New York: St. Martin’s Press, 1967.

———. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard Stein with translations by Leo Black. Berkeley: University of California Press, 1984.

Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller. New York: Oxford University Press, 1986.

Schwartz, Elliott and Barney Childs (Eds.). Contemporary Composers on Contemporary Music. New York: Holt, Rinehart and Winston, 1967.

Schwartz, Elliott and Barney Childs with Jim Fox (Eds.). Contemporary Composers on Contemporary Music, Expanded Edition. Da Capo Press, 1998.

Sessions, Roger. Questions about Music. Cambridge: Harvard University Press, 1970.

Stravinsky, Igor. Poetics of Music: In the Form of Six Lessons. Translated by Arthur Knodel and Ingolf Dahl. Cambridge: Harvard University Press, 1942.

Stravinsky, Igor and Robert Craft. Memories and Commentaries. Berkeley: University of California Press, 1960.

Thomson, Virgil. Music: Right and Left. New York: Holt, 1951.

———. Virgil Thomson. New York: Dutton, 1985.

———. American Music Since 1910. New York: Holt, Rinehart and Winston, 1971.

———. A Virgil Thomson Reader. Boston: Houghton Mifflin, 1981.

Toch, Ernst. The Shaping Forces in Music: An Inquiry into the Nature of Harmony, Melody, Counterpoint and Form. New York: Dover, 1977.

Vaughan Williams, Ralph. The Making of Music. Ithaca: Cornell University Press, 1955.

Weiss, Piero (Ed.). Letters of Composers Through Six Centuries. Philadelphia: Chilton, 1967.

Xenakis, Iannis. Formalized Music: Thought and Mathematics in Composition, Revised Edition. Stuyvesant, NY: Pendragon Press, 1992.


 


Composers on Mathematical Music: A Subtext Poem

Other Work by John Greschak

Public Domain