A Visual Music Exhibit
Mathematical Impressions

by John Greschak

June 4, 2006



theorem arc-paradox
sandwich consistency topology
integration Weierstrass-design
space triaxial convergence distribution
mean contracted cyclosymmetric
dominated degrees algebraic
control
sigma total
set theorem Shandy supplementary
angle four
indefinite
squares theorem
self-freedom precedence corner parts
second-current Tristram density
geometric arithmetic-moment descendant ham
integral-kind
absorbing definition
line null double-subjects by
integral referent dilatation of
in nbd degeneracy
solid
theorem-contradictory
conditions central matrix
relative-geometric infinity four-unicursal
derivation paradox vacuous-space theory-tanh
arc T-within-at induction
impredicative cubic Krasnoselskii natural
spline dissymmetry-Erdman
Goodman's dense itself



Auxiliary Notes
   
For a description of how this poem was written, see Method.   This poem is based on mathematical impressions of the art exhibition, Visual Music: Synaesthesia in Art and Music Since 1900, held at the Hirshhorn Museum in Washington, DC, June 23 through September 11, 2005.


 

Other Work by John Greschak

Public Domain